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    • Privacy
      Privacy

      Visitor statistics are collected using the Google Analytics service. This service records which pages you view on our site, how you arrived at it, and some basic information about your computer. All this information is anonymous—we do not know who you are; we only receive data on the number of visits. The data we collect from analytics services helps us better understand our audience and make our site more interesting and user-friendly. You can learn how Safeguarding your data works and, if you wish, opt out of its operation.

      We use two-factor authentication for login, allowing you to forgo using a password. For the secure storage of email addresses, we use Hash function, which means we cannot know your email address or identify you.

      We may collect and process anonymized visitor data for marketing purposes, including targeting advertising and/or informational news, creating relevant visitor lists, conducting statistical research, and displaying any advertising and/or other informational news, including personalized content. In any case, the collection and processing of anonymized data are carried out in compliance with the principle of pseudonymization, meaning that the data processing does not allow for the direct or indirect identification of the visitor.

      You can withdraw your consent to the collection and processing of your anonymized data (including its storage). Detailed information about cookies and settings for different internet browsers you use is available at the following links: Microsoft Internet Explorer, Google Chrome, Safari, Firefox, Opera.

      We have the right to share any anonymized data that does not allow for the direct or indirect identification of the visitor with third parties, including but not limited to sharing anonymized data with advertising systems such as Google AdSense.

      Personal data processing takes place in data centers where equipment is located to ensure functionality. All legal measures are taken to protect visitors personal data, particularly through processing data on equipment located in secured facilities with restricted access.

      We may update this privacy policy at any time. You can check the current version of the privacy policy on this page.

    • Editorial policy
      Editorial policy

      When reproducing news, you must provide the name of the editor and the initiator(s) of the news. Please remember that the editor may not share the views of the initiator(s) and is not responsible for the posted content. If you find any news that violates your intellectual property rights, please notify us. The advertiser is responsible for the accuracy and content of advertising news**.

      * The source(s) of events may include online resources, individuals who reported the event, journalists, etc.
      ** News posted as advertising is marked with the symbol (PR).

    • Event monitoring
      Event monitoring

      To avoid missing ongoing events that interest you, you need to mark the news by clicking the button below the news item. After that, the bell icon will be crossed out, and a number indicating the number of events you want to follow will appear above the bell in the navigation menu (top right).

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      To view all the news you are following, go to the subscriptions section by clicking the button in the navigation menu (top right).

    • Add a news item
      Add a news item

      Talker publishes news with credit to the author and sources, using a semi-automated «mail mode» system. Before submitting news to Talker, please review the published content and ensure your submission aligns with Talker's format.**

      To submit news, please send an email to [email protected] with the subject «ADD». In the email, include the news text, a link to the photo or image gallery, and the news format according to Talker's requirements.

      T: the headline (up to 155 characters).
      FP: the first paragraph (up to 255 characters).
      SP: the second paragraph (up to 255 characters).
      IM: link to the image or gallery.
      L1: a link to the author and/or official sources (up to 5 links – L1 ... L5).

      Here's an example of a news submission email:

      To: [email protected]
      Subject: ADD

      T: Information Fakes Evoke Real Memories

      FP: Information fakes evoke "real memories," and this is not fiction but the result of conducted research. The concern is that people are often unable to change their opinions, even after learning about the deception.

      SP: Unfortunately, this feature is often exploited by political strategists during election campaigns, as fake news can artificially raise or lower politicians' ratings. A major danger lies in the fact that modern technology allows for the quick "editing" of any image, and even video.

      L1: https://journals.sagepub.com/doi/10.1177/0956797619864887

      IM: https://resources.corwin.com/sites/default/files/styles/panopoly_image_full/public/general/9781071854655.jpg

      Published news

      * There can be multiple sources, including links to social media posts, official organizational resources, and personal pages.

      ** Talker – quick, concise, no fluff, no politics.

    • Contact the editorial office
      Contact the editorial office

      Using the feedback form, you can contact us and ask any questions you may have. Please note that we can only respond during working hours.

      Using the feedback form, you can contact us and ask any questions you may have. Please note that we can only respond during working hours.

December
  • AI Sparks Creativity but Narrows Diversity in Content

Can AI make you more creative? A groundbreaking study reveals that artificial intelligence boosts individual creativity—but there’s a catch. It might reduce the variety of ideas we see overall, creating more uniform content across the board. More ...

Researchers found that while AI tools inspire unique approaches in individuals, their influence can homogenize outputs when used at scale. This trend highlights a double-edged sword: increased personal creativity but less diversity in shared content. How can we balance these effects for a vibrant creative landscape?